John Law, a prize-winning classical prodigy on piano, turned away from classical piano studies to pursue jazz and improvised music when he was 23 and has been involved in, and acclaimed for, a wide variety of contemporary jazz and classical projects: from solo piano concerts and albums through trio and quartet tours and recordings, right through to large scale works for his semi-classical ensemble Cornucopia.

 John has played at over 50 festivals worldwide and recorded over 35 albums, working with musicians as diverse as Gwilym Simcock, Andy Sheppard, Jason Rebello, Tim Garland and Evan Parker. John’s primary project for his own work is his acclaimed Quartet, Congregation, which has toured across Europe and beyond, appearing to exceptional audience acclaim in concert halls, clubs and at festivals such as the North Sea Jazz Festival (Rotterdam) or the Queen Elizabeth Hall, London (London Jazz Festival). His other projects include his other Quartet, Re-Creations, which plays other people's tunes, in addition to his solo and duo projects.

John Law’s Congregation plays exclusively John’s original compositions, designed to mix contemporary jazz and electronics, often playing over electronic music backing tracks and also occasionally mixing in elements from John’s past. This includes free improvisation from his improv work in the 1990s as well as going even further back, drawing inspiration from his classical roots. The quartet line-up consists of Ashley John Long and Billy Weir as the dynamic rhythm section and features, from Mercury Prize nominee Roller Trio, James Mainwaring on saxophones, guitar and electronics. Interestingly, it’s the electronics side that gradually became more and more a feature of the band’s sound and approach. This line-up toured widely in the UK, Germany and India before recording their debut album, CONFIGURATION.

As John describes the project, “With ‘CONFIGURATION’, my upcoming album, it feels like all the kaleidoscopic parts of my musical life have finally come together. Jazz, rock, electronics, classical… it’s all in there. My aim for Congregation, my band, is to put each composition into a different visual space, with its own individual identity. Like separate colours blending to form a design. A couple of the tunes took shape during a wonderful tour in India, where the sounds and colours we experienced there found their way into the music. And the whole thing is brought to life by the stunning young musicians I work with: James Mainwaring, on saxophones and guitar – the group’s partly built around his full-on saxophone playing and subtle understanding of electronics; Ashley John Long, on double bass – an extraordinary bass virtuoso and simultaneously a ‘straight’ composer who writes through-composed works for the London Philharmonic Orchestra; and Billy Weir, on drums – who brings the fire and enthusiasm to the project that is commensurate with his tender years!”

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